Reach sits between contact and distance, approaching the surface as a fragile threshold where touch remains absent but perceptible. Using copper leaf on glass and chemical corrosion, the work brings together exposure, oxidation, and time to hold a quiet tension between intimacy, wound, and transformation. The piece draws on the idea of haptic perception as a form of closeness that does not depend on physical contact, but unfolds through attention, sensation, and proximity. In this way, the work remains both delicate and unsettled, allowing change to stay visible on the surface.